Q
Please explain -- what is the deal about Quakers and music? Is it true that music is considered sinful? Why? If music is bad, how do you explain the video “Dance Party Erupts at Quaker Meeting for Worship” at http://www.youtube.com/watch?v=-XlMkK4_kTg?
A
What IS the deal about Quakers and music? This relationship has been a challenge. For programmed Friends (mostly in the midwest and western states), whose traditions since the 1800s have included pastors and prepared liturgies,[see comments re this word--ed.] hymn singing is regularly included in the service. For Friends whose tradition is “open” worship [see below], music is not part of the traditional practice, although some meetings (congregations) have introduced a custom of singing before or after worship. At times in open worship individuals may offer ministry in the form of song, and may even welcome others to sing with them. My meeting –- one of a handful I know –- ends with the singing of a particular hymn, As We Leave this Friendly Place, which was developed as a closing hymn during the 1900s.
[NOTE: “Open worship” begins in silence and has no prepared format and no appointed clergy. Friends wait expectantly in stillness for the presence of the Divine Light, and offer messages to other worshipers when led by the Spirit to do so. It is also called “unprogrammed” or “silent” worship. For more information on the programmed and unprogrammed branches of Quakerism, see www.quakerinfo.org/quakerism/Branches.html. –ed.]
Worship in Song is a Friends hymnal developed through Friends General Conference. FGC has served unprogrammed Friends since the late 1800s, and music has always had a place in the social events it sponsors. Worship In Song was created to be used for group singing and for personal devotional use, because the practice of group singing in open worship is not established--yet many Friends love to sing!
Friends have not generally described music as being “sinful.” Yet our actions can give that impression, as wonderfully portrayed in the movie Friendly Persuasion. In that movie, the family tries to keep secret from the Quaker elders that they have a musical instrument hidden in their attic.
Early feelings about music arise in the writings of George Fox, a founding Quaker and journal writer from the 1600s. His journal notes –- with no particular animus –- the music that his wife and stepdaughters regularly played. He writes that at a particularly hard time in prison, he “sang,” presumably in prayer. In another place he strongly condemns the sound of psalm-singing. His condemnation of street music and his warnings about the power of music are timeless. I assume that early Friends paid a lot of attention to these strong messages. Music in the church was a likely target for early Friends in their general critique of the Church -– which they were trying to change. In that early time of establishing Friends traditions and ministry, music became for some an element to sharply dismiss. I am grateful we are moving on.
The concern about music has focused mostly on two assumptions: music is a power that raises emotions in ways not conducive to worship; and congregational singing as part of liturgy does not have a place in open Quaker worship. As a Friend in the unprogrammed tradition and as a “singing Quaker,” I’ve long held a conviction that these two assumptions, based on early Quaker writings and practice, were not the whole story, and there are many “singing Quakers” who share my unease with our long, silent dismissal of the value of music for Friends in worship.
I find music very conducive to worship. I have been opened by music that I’ve heard sung both in and out of worship, and in worship have sometimes sung myself. Music connects us to each other and to Spirit by an invisible thread. Hymn singing before worship helps me to “center down” and helps me be more in tune and open to the Spirit, rather than to distractions. I am not alone in this experience.
It is, then, with joy that many Friends have viewed the video from Jon Watts that you linked to your question. It is edgy, particularly for unprogrammed Friends, because it is rhythmic, even including dance. It reminds me of the revival tent in its energy, something that pastoral Friends may relate to as part of their tradition. But in this case it comes out of Friends’ other tradition of open (nonliturgical) worship, and many Friends in this tradition are responding with enthusiasm. Jon’s lyrics express his experience, his life in connection with his faith. The video opens up a possibility for a kind of message we do not often hear -- either musically or in words -- in open worship. Does the performance engage emotions in ways that block experience of God or Spirit? Is it self serving? These are questions we can keep in mind as we respond to the message.
There are some Quakers who may dismiss Jon's ministry. There are some who still feel the weight of our old assumptions about music. If we are true to our tradition, we will engage with Jon’s ministry and listen to him. Through that experience of engagement we may learn more of God's truth.
Joan Broadfield
Please explain -- what is the deal about Quakers and music? Is it true that music is considered sinful? Why? If music is bad, how do you explain the video “Dance Party Erupts at Quaker Meeting for Worship” at http://www.youtube.com/watch?v=-XlMkK4_kTg?
A
What IS the deal about Quakers and music? This relationship has been a challenge. For programmed Friends (mostly in the midwest and western states), whose traditions since the 1800s have included pastors and prepared liturgies,[see comments re this word--ed.] hymn singing is regularly included in the service. For Friends whose tradition is “open” worship [see below], music is not part of the traditional practice, although some meetings (congregations) have introduced a custom of singing before or after worship. At times in open worship individuals may offer ministry in the form of song, and may even welcome others to sing with them. My meeting –- one of a handful I know –- ends with the singing of a particular hymn, As We Leave this Friendly Place, which was developed as a closing hymn during the 1900s.
[NOTE: “Open worship” begins in silence and has no prepared format and no appointed clergy. Friends wait expectantly in stillness for the presence of the Divine Light, and offer messages to other worshipers when led by the Spirit to do so. It is also called “unprogrammed” or “silent” worship. For more information on the programmed and unprogrammed branches of Quakerism, see www.quakerinfo.org/quakerism/Branches.html. –ed.]
Worship in Song is a Friends hymnal developed through Friends General Conference. FGC has served unprogrammed Friends since the late 1800s, and music has always had a place in the social events it sponsors. Worship In Song was created to be used for group singing and for personal devotional use, because the practice of group singing in open worship is not established--yet many Friends love to sing!
Friends have not generally described music as being “sinful.” Yet our actions can give that impression, as wonderfully portrayed in the movie Friendly Persuasion. In that movie, the family tries to keep secret from the Quaker elders that they have a musical instrument hidden in their attic.
Early feelings about music arise in the writings of George Fox, a founding Quaker and journal writer from the 1600s. His journal notes –- with no particular animus –- the music that his wife and stepdaughters regularly played. He writes that at a particularly hard time in prison, he “sang,” presumably in prayer. In another place he strongly condemns the sound of psalm-singing. His condemnation of street music and his warnings about the power of music are timeless. I assume that early Friends paid a lot of attention to these strong messages. Music in the church was a likely target for early Friends in their general critique of the Church -– which they were trying to change. In that early time of establishing Friends traditions and ministry, music became for some an element to sharply dismiss. I am grateful we are moving on.
The concern about music has focused mostly on two assumptions: music is a power that raises emotions in ways not conducive to worship; and congregational singing as part of liturgy does not have a place in open Quaker worship. As a Friend in the unprogrammed tradition and as a “singing Quaker,” I’ve long held a conviction that these two assumptions, based on early Quaker writings and practice, were not the whole story, and there are many “singing Quakers” who share my unease with our long, silent dismissal of the value of music for Friends in worship.
I find music very conducive to worship. I have been opened by music that I’ve heard sung both in and out of worship, and in worship have sometimes sung myself. Music connects us to each other and to Spirit by an invisible thread. Hymn singing before worship helps me to “center down” and helps me be more in tune and open to the Spirit, rather than to distractions. I am not alone in this experience.
It is, then, with joy that many Friends have viewed the video from Jon Watts that you linked to your question. It is edgy, particularly for unprogrammed Friends, because it is rhythmic, even including dance. It reminds me of the revival tent in its energy, something that pastoral Friends may relate to as part of their tradition. But in this case it comes out of Friends’ other tradition of open (nonliturgical) worship, and many Friends in this tradition are responding with enthusiasm. Jon’s lyrics express his experience, his life in connection with his faith. The video opens up a possibility for a kind of message we do not often hear -- either musically or in words -- in open worship. Does the performance engage emotions in ways that block experience of God or Spirit? Is it self serving? These are questions we can keep in mind as we respond to the message.
There are some Quakers who may dismiss Jon's ministry. There are some who still feel the weight of our old assumptions about music. If we are true to our tradition, we will engage with Jon’s ministry and listen to him. Through that experience of engagement we may learn more of God's truth.
Joan Broadfield
